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TAC AIR combines studio access with a rigorous interdisciplinary curriculum, regular critical dialogue and mentorship, providing residents an opportunity to learn and explore the textile medium, and an alternative to traditional higher education programs. The residency culminates in a group exhibition produced and hosted by TAC. Since 2010, TAC AIR has graduated over 100 artists and designers whose work continues to further textile art within the fashion, fine arts, design and art education fields.

 

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Program Details

Program Activities
Faculty
Facilities & Benefits
Tuition & Scholarships
Application & Selection Process
FAQ

Over the course of 9 months, TAC AIR residents delve into a full curriculum of technical classes, textile history and conservation and professional development. Ongoing critical dialogue, allows residents to gain a greater awareness of their practices and contextualize their work within contemporary and historical textile art.

October–December: Play

The first 3 months are a time for play and exploration, learning new techniques and getting acquainted with a studio practice in TAC’s studio. Curriculum will include technical development workshops, such as weaving, machine knitting, natural dyeing, screen printing and felting. These workshops are designed to expose residents to a variety of materials and serve as an introduction to the TAC studio.

January–March: Research & Concept

Starting the New Year, residents dive into research and development of their final project for the exhibition. Curriculum will include seminars in textile history, conservation, and contemporary craft theory. At this time, residents are introduced to their personal mentor, with whom they will work one-on-one to help guide the development and completion of their personal project. At the end of this period, residents are expected to present a project proposal that they will develop for the final exhibition.

April–June: Project Creation

The last portion of the program is dedicated to project creation and professional development. Seminars are based in writing workshops, grant writing, art law, and material sourcing. Each cycle culminates in a formal critique in June, where it is expected that residents present matured concepts and work for the final exhibition.

Studio Facilities

  • 24/7 access to personal 7’ x 5’, well-lit space. Each space has 3 walls with one open, including shelving, as well as a “tack” wall.
  • 24/7 access to TAC studio and equipment including floor looms; home sewing machines and sergers; knitting machines; drying rack; utility sink; dye lab for natural and synthetic dyes; dryer; steamer; screen printing facilities which include 3 yardage tables, exposure unit and washout booth

 

Additional Benefits

  • Access to resources and fiber arts community
  • Exposure through TAC marketing and social media
  • $1,000 worth of free classes at Textile Arts Center during the residency
  • Lifetime access to open studio + 30% of of all TAC classes

Tuition

The tuition of Textile Arts Center’s Artist in Residence Program is $11,000 per resident, split into the following payment plans:

$1200 upon acceptance (due June 2024)
$9800 due on the first week of October 2024

OR

$1200 upon acceptance (due June 2024)
$2200 due on the first week of October 2024
$760 monthly from October 15, 2024 through July 15, 2025 (10 payments)

Scholarship

The Textile Arts Center is committed to fostering diversity, equity, and inclusion in all its programs. The TAC Artist In Residence Scholarship Fund will support one artist or designer who identifies as part of a historically marginalized identity or community in the Arts, (i.e class, race, ethnicity, religion, gender, disability, sexuality, age, education) and state the need for financial assistance to participate in the program and advance their artistic practice. Applications for the scholarship are submitted along with the program application.

TAC AIR Scholarship is made possible by TAC.

Eligibility

We are looking for artists and designers at all career stages, working in textile/fiber media or looking to explore and develop a new body of work in this medium. Eligible applicants must be 21+ years old and should be proficient in English and have good communication skills. We encourage international artists to apply, but applicants are responsible for all necessary VISA arrangements and fees.

Application

Early Bird $25 through Jan 31 

Fee $35 Feb 1 – March 17

All applications must be submitted digitally through Slideroom by March 17, 2023

BIPOC candidates can contact [email protected] to waive the application fee.

Selection Process

The selection process is led by a committee of Textile Arts Center’s staff, as well as professionals working in different fields of textile arts.

Selection criteria include:

  • Quality of work
  • Clear plan on work to be created during time of residence
  • Desire to work within a diverse community

Selected applicants will be asked to come in for an interview.

Application Calendar

Application Dates for Cycle 16:
January 1 – March 17, 2024

Interviews:
April 2024

Notification of Acceptance:
End of May 2024

Next Cycle Dates:
Cycle 16: October 2024 – June 2025

What is the TAC AIR application process?

Applications for Cycle 16 of AIR open on January 1, 2024. All applications must be submitted electronically through the online platform by the deadline, March 17, 2024.

You will need to write about your work, interests and experience, and —most importantly—your desire for participating in the program. Additionally, you’ll be required to submit a portfolio of 5-10 high-resolution images of your best work that most relates to what you hope to accomplish during the program.

If you experience any issues with the online application platform, please contact [email protected] by March 14 in order to answer your questions in time.

Is there an application fee?

For AIR Cycle 16, there is an application fee of $25 for applications submitted  by January 31, 2024; and a fee of $35 for applications submitted by March 17, 2024.

Is this an in-person program?

Yes, the AIR program is an in-person residency.
Most of the classes and critiques of the program are in person. Additionally, if accepted, you will commit to working 15-20 hours a week in the studio developing your practice, so we recommend you live within commuting distance during the residency period.

Do you accept international applicants?

We have had several international artists move to NYC for the duration of the program. TAC can offer some guidance and support for your VISA application, but residents are responsible for all VISA arrangements and fees. Reach out to International Arts and Artists for guidance.

Is there any degree requirement to apply?

There is no degree requirement to apply to TAC AIR and we encourage applicants from all backgrounds.

What’s the selection process?

All applications will be reviewed by a jury committee made of TAC staff, and professionals working in different fields of fiber arts. After the first round, selected applicants will be contacted for an interview. Interviews will be held during the month of April. Candidates will be contacted by the end of May with their acceptance status.

What are interviews like? Who conducts them?

Interviews are typically about 30-40 minutes, and are conducted by Kelly Valletta, TAC Executive Director, and Romina Schulz, Artist Programs Manager. Applicants should be ready to discuss their work, their reasons for wanting to participate in the program, and what they hope to accomplish creatively and professionally.

What if I am not in NY and get invited for an interview?

We strongly prefer that candidates be able to have an in-person interview, but definitely understand that this is not always possible. In these cases, we will schedule a video call interview.

If I’m accepted for TAC AIR, what is needed upon acceptance?

Accepted applicants must notify TAC within one week of acceptance to be part of TAC AIR. At this time, you will be required to sign the AIR Contract and submit a tuition deposit of $1200.

Are there any financial aid options available?

The Textile Arts Center is committed to fostering diversity, equity, and inclusion in all its programs. The TAC Artist In Residence Scholarship Fund will support one artist or designer who identifies as part of a historically marginalized identity or community in the Arts, (i.e class, race, ethnicity, religion, gender, disability, sexuality, age, education) and state the need for financial assistance to participate in the program and advance their artistic practice. Applications for the scholarship are submitted along with the program application.

Since only one artist per cycle will receive the Residence Scholarship, we encourage applicants to begin researching third-party funding by the time of application, including artist grants, loans, credit, or others.

Here is a brief list of some places to look for grants and resources:

If you are an international applicant we advise you to look for opportunities in your home country as well as the US. Additionally, we encourage and support residents to organize their own crowdfunding campaigns.

What kind of time commitment is the AIR program?

This is a self-driven residency. We expect that residents spend about 15-20 hours per week in their studio on their work. Critiques and class times are twice per week, generally totaling to about 6 hours additional per week. Residents have 24/7 access to the TAC studio. 

We expect that accepted residents make the program a priority for the full cycle. It is an intensive professional development program that will take a lot of focus, work, and time. We believe the investment in you and your work makes it worth this level of effort and attention. 

What is life in the studio like?

TAC is a buzzing community atmosphere and an inter-generational collaborative environment. TAC AIR studios are fully integrated with year round artist studios, a gallery, adult classes, youth programs, birthday parties, and various events throughout the year. 

The artists’ studios are located in the project space, side-by-side open public studios. Each studio consists of three walls, with one side open to the shared area. The studio is a hub of activity, with lots of things happening. Weekends tend to be busier, while weekday mornings and late nights tend to be quieter. 

What is it like living in NYC?

The multicultural city of New York City is home to an active art community and a wide range of exhibitions and cultural events. 

It is an expensive city to live in, so budgeting is important. TAC accepts candidates that have full or part time jobs. We want this program to work for artists and designers as a complement to their lives.

Have a question for an AIR alum about their experience?

Here’s a few you should feel free to contact:

If you still have questions, feel free to email Artist Programs Manager.

Applications for TAC AIR Cycle 16 are closed

Current TAC AIR Cycle 16 Artists

faviola

faviola (she, they, ella, elle) holds a Bachelors in the Arts in Culture & Media Studies in the Context of Contemporary Music with a Minor in Fine Art from the New School. They have traveled across Latin America to learn Pre-Columbian forms of world making, such as backstrap weaving traditions of Chinchero, Peru and the botanical dyeing traditions of the Central Mexican Plateau.

Through education and media representation, faviola actively supports the access, visibility, and creation of non hegemonic forms of knowledge. Since 2020, faviola has imparted their textile knowledge to various New York City communities, teaching at the Textile Arts Center, Voces Ciudadanas, Black Girls Sew, the Brooklyn Children’s Museum and within the New York City Department of Education. faviola works documenting the work of Iquiti Textiles Mexicanos, a collective of artisans defending the labor and heritage knowledge reflected in handmade textiles in the context of the mass produced textiles of the Mexican tourist industry. Additionally, faviola provides post-video production support towards documenting the work of Las Curanderas: Teatro Para Curar el Susto of Comalapa, Guatemala.
In 2024, faviola participated in Arquetopia Honors Residency: The Challenge of Sustainability, Embodiment & the Problem of Color in Puebla, Mexico. faviola is currently growing the el proyecto comunitario de el maíz/the community maize project, an ongoing investigation on the Latin American Diaspora, methods of domestication, and the intellectual property of craft, with the intention of connecting sites of diaspora.

Fay Ku

Fay Ku is a Taiwan-born, Brooklyn-based artist whose works on paper are figurative, psychological and narrative.

Josué Morales Urbina

Based in the New York Metropolitan area, Josué Morales Urbina is an award-winning installation and sculpture artist, whose work primarily explores transcultural displacement. Among frequent themes that arise in his art are a pervading sense of foreignness and the impermanence of memory, which he examines via contemplative abstract installations. These works are composed of a broad range of materials, including ordinary household objects such as, drinking straws, coffee beans, toasted white bread, and rubber bands. The questions of foreignness in Morales Urbina’s work are rooted in his being born in Guatemala City, Guatemala, and having lived across the United States as a “third culture kid” (an individual raised in a culture other than their parents'). Yet, as much as he creates to engage audiences in such explorations, Urbina’s artmaking has also afforded him the self-discovery that he, ultimately, creates art “to build a home for myself; my art practice is my home.” Among Morales Urbina’s notable achievements as an artist are his solo and group exhibitions in New York, New Jersey, Pennsylvania, New Mexico, Oregon, and Texas. An alum of the Skowhegan School of Painting and Sculpture, he has completed artist residencies at the Vermont Studio Center, La Napoule Art Foundation’s Résidence d'Artiste Internationale, Centrum in Washington state, GoggleWorks, and Byrdcliffe Arts Colony. In 2023, he was recognized as a Sculpture Finalist by the New Jersey State Council on the Arts and was most recently awarded the 2024 Jersey City Arts Council Individual Artist Fellowship.

Leo Pontius

Leo Pontius (they/he) is a community-taught interdisciplinary artist based in Brooklyn. Their work is an exploration of healing and transmutation through process-based pieces that incorporate sculpture, weaving, painting, and found objects.

They have a degree in Religious Studies from Naropa University. Over time, their spirituality evolved into a fascination with the ineffable, which found expression through art. During their residency at the Textile Arts Center, they hope to use traditional textile techniques to create sculptural forms from unconventional materials.

They have an ongoing garment upcycling project called Petrichor Dyed, in which they hand dye one of a kind pieces to extend their lifespan. To learn more about that project, please visit www.petrichordyed.com

Malaika Temba

Malaika Temba (b. 1996, Washington, D.C.) is a Visual Artist based in New York. Temba creates textile works that honor the lineage of the diaspora’s aunties and femmes, addressing the responsibility, time, attention and patience expected of these laborers, comforters, nurturers, and providers. She wields fabric—an oft-overlooked material conflated with gendered notions of softness—as a resilient and unbreakable format to confront labor standards and global trade. Having grown up across Saudi Arabia, Uganda, South Africa, Morocco, and the United States, her lens and creative processes embrace globalization and intercultural connection by shining light on all of its intricacies.

Temba graduated with a BFA in Textiles from the Rhode Island School of Design in 2018. In 2021, she was honored as the recipient of the YoungArts Jorge M. Pérez Award and since then, she has been selected for significant residencies: Art Omi (2023, NY), MASS MoCA (2023, MA), Bandung Residency, MoCADA + A4 Arts Alliance (2023, NY) and Silver Art Projects (2024, NY). Temba has had solo exhibitions with Mindy Solomon Gallery in Miami (2021; 2024; Miami, FL), Lilia Ben Salah Gallery (2023; Paris, France), and Gaa Gallery (2023, Cologne, Germany). She has participated in group exhibitions with Allouche Gallery (2021, NY), The Yard (2021, NY) and Mindy Solomon in collaboration with Albertz Benda (2022, LA). Her work has been collected by various public and private collections, including the collections of Jorge M. Pérez and Beth Rudin DeWoody.

Mark Fleuridor

Mark Fleuridor explores personal histories through painting, quilting, collage and patternmaking. Featured exhibitions include a Solo Show at YoungArts in Miami Fl, duo booth presentation at Future Fair NY with Anna Zorina Gallery, and a group show at Crisp-Ellert Art Museum. Mark Fleuridor has completed artist residencies at institutions such as Art Omi in Ghent, NY; Anderson Ranch Arts Center in Aspen, CO; Vermont Studio Center in Johnson, VT; and Oolite Arts in Miami, FL. Fleuridor is a recipient of the Knight Arts Champions Award 2022 and also a recipient of the Oolite Arts Ellies Award 2020 for his Public Art project “Being Held”. Fleuridor was also a visiting lecturer at multiple institutions including Perez Art Museum Miami (PAMM), and Museum of Contemporary Arts (MOCA) North Miami. Fleuridor holds a BFA in Painting from the Maryland Institute College of Art.

Quinci Baker

Quinci Baker is a mixed-media artist from Prince George’s County, Maryland. Her works blend personal and cultural archives with various craft and repurposed materials in an exploration of collective memory, loss, and imagination.

Baker earned her MFA in Painting and Printmaking from the Yale School of Art in 2022 and her BFA from The Cooper Union School of Art in 2017. Her work has been exhibited at The Hole, NYC; Jeffrey Deitch Gallery in NYC; Jenkins Johnson Projects in Brooklyn, NY; Mehari Sequar Gallery in Washington, DC; and Keijsers Koning in Dallas, TX. Notable residencies include Shandaken: Storm King in New Windsor, NY, and SOMA Summer in San Rafael, Mexico. Baker was recently named the 2024 Emma Bernstein Fellow at A.I.R. Gallery in Brooklyn, NY. She lives and works in NYC.

Rose Malenfant

Rose Malenfant is a multidisciplinary artist, educator and curator from New York, based in Brooklyn. Her sculptural practice is material and process oriented, centered in cycles of the body and environment. Rose uses a variety of techniques and materials including nylon pantyhose, bioplastic, silicone, gravity and time.

​Her work has been exhibited by galleries throughout New York and internationally including El Barrio Art Space, Atlantic Gallery, the Factory LIC, Black Brick Project and Arts Letters and Numbers. She has received awards from The Art Students League of New York and the International Society of Experimental Artists. Rose is a member of the Textile Study Group of New York, an alumni of The Alternative Art School and SUNY New Paltz where she studied Visual Art and Visual Arts Education..

Rose was a recipient of Beam Center’s Artist in Residency Program on Governors Island where she continues to work as a project designer mentoring young artists through hands-on collaborative projects.

Rose is also curating upcoming exhibitions ""Semi-Permeable"" at Living Skin, Brooklyn, New York and ""Propagation- Suspended Roots"" at Studio 9D New York, New York.

TAC AIR Alumni

Cycle 15 2023/24
Audrey Cibel
Carter Shocket
Hera Ford
Jimmy Zhao
Julie Clapton
Lovisa Axén
Nana YaaSerwaah Akuoku
Shawna Tang
Cycle 14 2022/23
Cynthia Chang
Hekima Hapa
Jasmine Murrell
Kat Sours
Madhura Nayak
Manal Shoukair
Martina Cox
Mary Evangeline Guadalupe Rubi
Paola de la Calle
Cycle 13 2021/22
Adriana Gramly
Emma Safir
Jia Sung
Linda Sok
Lucas Montenegro
Melika Abikenari
Tashiana St Aude
Tinglan Huang
Cycle 12 2020/21
Clare Hu
Elaine Shen
Elizabeth Tolson
Emily Small
Francisco (Echo) Eraso
Jeanne F. Jalandoni
Jessica Elena Aquino
Ryan Scails
Cycle 11 2019/20
Anthony Shimek
Aomi Kikuchi
Cong-Tam Nguyen
Marta Nowak
Melissa Joseph
Rowan Renee
Yidan Zeng
Zuhoor Al Sayegh
Cycle 10 2018/19
Dance Doyle
Erin Palumbo
Familien Iglesias (Bo, Lisa, Janelle)
Noah Pica
Romina Chuls
Shihui Zhou
Tiantian Lou
Winnie van der Rijn
Cycle 09 2017/18
Chang Yuchen
Cory Siegler
Hannah Whelan
Jamie Boyle
Junyu Li
Lily Moebes
Meghan O'Sullivan
Rhonda Khalifeh
Cycle 08 2016/17
Andrew Boos
Isabella Amstrup
Martha Skou
Mia Daniels
Rebekah Bassen
Sarah Finkle
Vien Le Wood
Cycle 07 2015/16
Alex Goldberg
Collette Aliman
Fanny Gentle
Ignacia Murtagh
Jamie Israelow
Maeve Myfawnwy
Victoria Manganiello
Yunjung Kang
Cycle 06 2014/15
Aimee McLaughlin
Alayna Rasile
Anne-Marie Lavigne
Christi Johnson
Emelie Röndahl
Hannah Schultz
Iris Plaitakis
Yoshiyuki Minami
Cycle 05 2013/14
Amanda Hu
Chi Nguyen
Joey Korein
Kaelyn Garcia
Sarah Abarbanel
Yto Barrada
Cycle 04 2012/13
Eleanor Anderson
Kate Parvenski
Kelly Valletta
Kristin Morrison
Lucia Cuba
Mandy Kordal
Cycle 03 2011/12
Josefina Concha
Katie King
Melissa Dadourian
Natalie Moore
Stacie Baek
Veronica Fuentes
Cycle 02 2010/11
Annie Coggan
Candice Thompson
Julia Ramsey
Katie Minford
Stacie Baek
Whitney Crutchfield
Cycle 01 2009/10
Astrid Lewis Reedy
Denise Maroney
Jill Magi
Julia Ramsey
Tali Weinberg
Whitney Crutchfield
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