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TAC AIR combines studio access with a rigorous interdisciplinary curriculum, and regular critical dialogue, providing residents an opportunity to learn and explore the textile medium, and an alternative to traditional higher education programs. The residency culminates in a group exhibition produced and hosted by TAC. Since 2010, TAC AIR has graduated over 100 artists and designers whose work continues to further textile art within the fashion, fine arts, design and art education fields.

 

Applications will open in late 2025

Program Details

Program Activities
Faculty
Facilities & Benefits
Tuition & Scholarships
Application & Selection Process
FAQ

Over the course of 9 months, TAC AIR residents delve into a full curriculum of technical classes, textile history and conservation and professional development. Ongoing critical dialogue, allows residents to gain a greater awareness of their practices and contextualize their work within contemporary and historical textile art.

October–December: Play

The first 3 months are a time for play and exploration, learning new techniques and getting acquainted with a studio practice in TAC’s studio. Curriculum will include technical development workshops, such as weaving, machine knitting, natural dyeing, screen printing and felting. These workshops are designed to expose residents to a variety of materials and serve as an introduction to the TAC studio.

January–March: Research & Concept

Starting the New Year, residents dive into research and development of their final project for the exhibition. Curriculum will include seminars in textile history, conservation, and contemporary craft theory. At the end of this period, residents are expected to present a project proposal that they will develop for the final exhibition.

April–June: Project Creation

The last portion of the program is dedicated to project creation and professional development. Seminars are based in writing workshops, grant writing, art law, and material sourcing. Each cycle culminates in a formal critique in June, where it is expected that residents present matured concepts and work for the final exhibition.

Studio Facilities

  • 24/7 access to personal 7’ x 5’, well-lit space. Each space has 3 walls with one open, including shelving, as well as a “tack” wall.
  • 24/7 access to TAC studio and equipment including floor looms; home sewing machines and sergers; knitting machines; drying rack; utility sink; dye lab for natural and synthetic dyes; dryer; steamer; screen printing facilities which include 3 yardage tables, exposure unit and washout booth

 

Additional Benefits

  • Access to resources and fiber arts community
  • Exposure through TAC marketing and social media
  • $1,000 worth of free classes at Textile Arts Center during the residency
  • Lifetime access to open studio + 30% of of all TAC classes

Tuition

The tuition of Textile Arts Center’s Artist in Residence Program is $11,000 per resident, split into the following payment plans:

$1200 upon acceptance (due June 2025)
$9800 due on the first week of October 2025

OR

$1200 upon acceptance (due June 2025)
$2200 due on the first week of October 2025
$760 monthly from October 15, 2025 through July 15, 2026 (10 payments)

Scholarship

The Textile Arts Center is committed to fostering diversity, equity, and inclusion in all its programs. The TAC Artist In Residence Scholarship Fund will support one artist or designer who identifies as part of a historically marginalized identity or community in the Arts, (i.e class, race, ethnicity, religion, gender, disability, sexuality, age, education) and state the need for financial assistance to participate in the program and advance their artistic practice. Applications for the scholarship are submitted along with the program application.

TAC AIR Scholarship is made possible by TAC.

Eligibility

We are looking for artists and designers at all career stages, working in textile/fiber media or looking to explore and develop a new body of work in this medium. Eligible applicants must be 21+ years old and should be proficient in English and have good communication skills. We encourage international artists to apply, but applicants are responsible for all necessary VISA arrangements and fees.

Application

All applications must be submitted digitally through Slideroom by February 28, 2025

BIPOC candidates can contact [email protected] to waive the application fee.

Selection Process

The selection process is led by a committee of Textile Arts Center’s staff, as well as professionals working in different fields of textile arts.

Selection criteria include:

  • Quality of work
  • Clear plan on work to be created during time of residence
  • Desire to work within a diverse community

Selected applicants will be asked to come in for an interview.

Application Calendar

Application Dates for Cycle 17:
December 16, 2024 – February 01, 2025

Interviews:
April 2024

Notification of Acceptance:
Beginning of May 2024

Next Cycle Dates:
Cycle 17: October 2025 – June 2026

What is the TAC AIR application process?

Applications for Cycle 17 of AIR open on December 16, 2024. All applications must be submitted electronically through the online platform by the deadline, February 01, 2025.

You will need to write about your work, interests and experience, and —most importantly—your desire for participating in the program. Additionally, you’ll be required to submit a portfolio of 5-10 high-resolution images of your best work that most relates to what you hope to accomplish during the program.

If you experience any issues with the online application platform, please contact [email protected] by March 14 in order to answer your questions in time.

Is there an application fee?

For AIR Cycle 17, there is an application fee of $25 for applications submitted  by January 31, 2025; and a fee of $35 for applications submitted by February 28, 2025.

Is this an in-person program?

Yes, the AIR program is an in-person residency.
Most of the classes and critiques of the program are in person. Residents meet on Mondays and Thursdays, from 6:30pm to 9:30pm. Additionally, if accepted, you will commit to working 15-20 hours a week in the studio developing your practice, so we recommend you live within commuting distance during the residency period.

Do you accept international applicants?

We have had several international artists move to NYC for the duration of the program. TAC can offer some guidance and support for your VISA application, but residents are responsible for all VISA arrangements and fees. Reach out to International Arts and Artists for guidance.

Is there any degree requirement to apply?

There is no degree requirement to apply to TAC AIR and we encourage applicants from all backgrounds.

What’s the selection process?

All applications will be reviewed by a jury committee made of TAC staff, and professionals working in different fields of fiber arts. After the first round, selected applicants will be contacted for an interview. Interviews will be held during the month of April. Candidates will be contacted by the end of May with their acceptance status.

What are interviews like? Who conducts them?

Interviews are typically about 30-40 minutes, and are conducted by Kelly Valletta, TAC Executive Director, and Romina Schulz, Artist Programs Manager. Applicants should be ready to discuss their work, their reasons for wanting to participate in the program, and what they hope to accomplish creatively and professionally.

What if I am not in NY and get invited for an interview?

We strongly prefer that candidates be able to have an in-person interview, but definitely understand that this is not always possible. In these cases, we will schedule a video call interview.

If I’m accepted for TAC AIR, what is needed upon acceptance?

Accepted applicants must notify TAC within one week of acceptance to be part of TAC AIR. At this time, you will be required to sign the AIR Contract and submit a tuition deposit of $1200.

Are there any financial aid options available?

The Textile Arts Center is committed to fostering diversity, equity, and inclusion in all its programs. The TAC Artist In Residence Scholarship Fund will support one artist or designer who identifies as part of a historically marginalized identity or community in the Arts, (i.e class, race, ethnicity, religion, gender, disability, sexuality, age, education) and state the need for financial assistance to participate in the program and advance their artistic practice. Applications for the scholarship are submitted along with the program application.

Since only one artist per cycle will receive the Residence Scholarship, we encourage applicants to begin researching third-party funding by the time of application, including artist grants, loans, credit, or others.

Here is a brief list of some places to look for grants and resources:

If you are an international applicant we advise you to look for opportunities in your home country as well as the US. Additionally, we encourage and support residents to organize their own crowdfunding campaigns.

What kind of time commitment is the AIR program?

This is a self-driven residency. We expect that residents spend about 15-20 hours per week in their studio on their work. Critiques and class times are twice per week, generally totaling to about 6 hours additional per week. Residents have 24/7 access to the TAC studio. 

We expect that accepted residents make the program a priority for the full cycle. It is an intensive professional development program that will take a lot of focus, work, and time. We believe the investment in you and your work makes it worth this level of effort and attention. 

What is life in the studio like?

TAC is a buzzing community atmosphere and an inter-generational collaborative environment. TAC AIR studios are fully integrated with year round artist studios, a gallery, adult classes, youth programs, birthday parties, and various events throughout the year. 

The artists’ studios are located in the project space, side-by-side open public studios. Each studio consists of three walls, with one side open to the shared area. The studio is a hub of activity, with lots of things happening. Weekends tend to be busier, while weekday mornings and late nights tend to be quieter. 

What is it like living in NYC?

The multicultural city of New York City is home to an active art community and a wide range of exhibitions and cultural events. 

It is an expensive city to live in, so budgeting is important. TAC accepts candidates that have full or part time jobs. We want this program to work for artists and designers as a complement to their lives.

Have a question for an AIR alum about their experience?

Here’s a few you should feel free to contact:

If you still have questions, feel free to email Artist Programs Manager.

Applications for TAC AIR Cycle 18 will open late 2025

Current TAC AIR Cycle 17 Artists

Alessandro Levato

Alessandro Levato is a transgender interdisciplinary artist living and working in Brooklyn, NY. Their work explores their queer trans body through tactile, visual, and auditory forms, often incorporating materials like monotype paintings, audio and video documentation, cyanotypes, quilts and parachutes. Growing up in Lancaster, Pennsylvania, they witnessed rigid gender binaries within the Amish community, and now use large-scale, process-driven and material-influenced work to document real and phantom embodiment. They have received the Elizabeth Greenshields Foundation Grant (2019) and The Elizabeth Foundation for the Arts, Robert Blackburn Printmaking Award (2022). Their work has been shown in group shows at Equity Gallery (2022) and Trotter & Sholer Gallery (2023). Alessandro attended Mudhouse Residency (2024) and The Penland School of Craft Winter Residency for printmaking (2025). They are currently accepted to Cycle 17 of Textile Arts Center's AIR program (2025-2026).

Cici Osias

Cici Osias (b. Baltimore, MD) is a multidisciplinary artist based in Brooklyn, NY. Her work draws influence from African American, Congolese, Haitian, and Nigerian motifs in order to make meaning of her identity and hold her people close. Within her textiles, Cici recognizes the role of cloth as a vessel for storytelling and traces the vestiges of shared origin and collective memory across the Black diaspora.

Diana Eusebio

Diana Eusebio is a Peruvian-Dominican multidisciplinary artist based in Miami. Her artistic practice is centered on color and its cultural significance. She researches natural dyed textiles from Indigenous Latin American and Afro-Caribbean traditions, recognizing their connection to nature and their role as carriers of ancestral wisdom. Eusebio's fusion of ancestral and modern techniques, including dyeing and photography, contributes to contemporary cultural preservation and celebrates the rich heritage and Pre-Columbian knowledge embedded within these communities. Her work is a powerful testament to the enduring cultural tapestry of these regions.

Eusebio holds a BFA in Fiber from the Maryland Institute College of Art. She has presented her work at the MoMa, Hall of Nations, Gregg Museum of Art and Design, and Rubell Museum. Studio residencies include Textile Art Center, NY, NY; Anderson Ranch Arts Center, Aspen, CO; Oolite Arts, Miami; AIRIE Fellowship, Everglades National Park; INDEX MECA Art Fair, Dominican Republic; Deering Estate Studio Residency, Miami. Notable awards include the Obama administration’s U.S. Presidential Scholar in the Arts–the highest national honor for a young artist-and the National YoungArts Jorge M. Perez Award for $25,000.

Margaret Roleke

Originally from Long Island, New York, Margaret Roleke lives and works in Brooklyn and Connecticut. Roleke earned her M.F.A. from Long Island University, C.W. Post Brookville, NY and a b.a. from Marymount Manhattan College. She also studied at the Art Students League, NY and School of Visual Arts, NY. Her work appears nationally in galleries and museums. Roleke has had recent solo exhibits at Pen+Brush Gallery New York, NY, and Five Points Art Gallery, Torrington, CT. Her work has been included in shows at The Aldrich, Katonah Museum of Art, and WhiteBox New York, NY. Roleke received an Artist Respond Grant from the Connecticut Commission on the Arts in 2024. An outdoor sculpture of Roleke’s was installed in Jackie Robinson Park in Harlem in April 2025. Past residencies include Vermont Studio Center , Teton ArtLab, ArtPort KIngston and 4 Heads Portal at Governors Island, NYC.

Mateo Gutiérrez

Mateo Gutiérrez is a contemporary artist who makes hand-embroidered artworks that bring into question the underlying culture of violence endemic to American life both personally, politically and historically. Mateo moved to the U.S. at the age of sixteen, and has struggled with his conflicted relationship to the U.S. ever since. He presents both a sociopolitical and a deeply personal reflection on what it means to be American. He challenges the viewer with both a haunting and empathetic view of the traumatic effects of the so-called "American way of life" and also what it means to be an outsider as both foreign born and Latino. He cites his complex experience with the United States as central to his understanding of American cultural practices that are defined by racial and socioeconomic hierarchies engendering violence and xenophobia.​​​ Mateo has exhibited nationally in galleries in Los Angeles, New York and across Texas, including multiple museum exhibitions and prestigious art residencies. Mateo was a featured artists in the 2024-2025 Texas Biennial, the longest running state biennial in the US. Mateo has been featured in New American Painters, Hyperallergic, the Austin American Statesman, Glasstire and other notable art journals. Mateo has a BA in philosophy from the University of California at Berkeley and his MFA in studio painting from the University of Texas at Austin. He divides his time between Brooklyn NY and Austin TX.

Seyoung Hong

Seyoung Hong is a visual artist from Washington DC. A recent BFA grad from Rhode Island School of Design’s textile program with a concentration in environmental studies, her work focuses on materiality and the conveying of information through art.

Vero Bello

Vero was born in Caracas, Venezuela, and grew up in Mexico City followed by South Florida. She earned a BFA in Textile Design from the Rhode Island School of Design (RISD) in 2022, where she was awarded a RISD Museum scholarship to attend a travel course in Oaxaca, immersing herself in local material cultures. She also received the Barbara L. Kuhlman scholarship in support of her thesis project, Standing on Porous Rock, an exploration of the climate crisis in relation to tourist culture in Miami.

During her time at RISD, Vero collaborated with artist Corina Dorrego to design an independent study with Professor Sean Nesselrode-Moncada, examining the visual systems through which the Caribbean has been imaged for tourist consumption. Together, they also co-curated Of Soiled Bodies, a student exhibition showcasing artists exploring themes of displacement and uprootedness.

After graduating, Vero taught off-loom weaving and to elementary school students before working as a home textile designer at Anthropologie in Philadelphia, where she deepened her knowledge of textile manufacturing. After a year, she chose to pivot, seeking work that would allow her to sustain a personal art practice.

She is currently a member of the Brooklyn Lace Guild and recently exhibited work at MAPSpace in the group show The Future Belongs to the Loving."

Vic Liu

vic liu writes, rants, schemes, paints sometimes, cooks often, embroiders, knits, and is learning cloisonné enamel (and blacksmithing and woodcrafting). They are currently working on a novel where losers lose but also love.

She lives in Brooklyn, NY with a very large dog and sometimes a small cat. They have all tried anxiety medication.

Their books include Bang! Masturbation for All Abilities and Genders 2nd edition (Microcosm Publishing, 2023) and The Warehouse: A Visual Primer on Mass Incarceration (PM Press, 2024).

TAC AIR Alumni

Cycle 16 2024/25
faviola
Fay Ku
Josué Morales Urbina
Leo Pontius
Malaika Temba
Mark Fleuridor
Quinci Baker
Rose Malenfant
Cycle 15 2023/24
Audrey Cibel
Carter Shocket
Hera Ford
Jimmy Zhao
Julie Clapton
Lovisa Axén
Nana YaaSerwaah Akuoku
Shawna Tang
Cycle 14 2022/23
Cynthia Chang
Hekima Hapa
Jasmine Murrell
Kat Sours
Madhura Nayak
Manal Shoukair
Martina Cox
Mary Evangeline Guadalupe Rubi
Paola de la Calle
Cycle 13 2021/22
Adriana Gramly
Emma Safir
Jia Sung
Linda Sok
Lucas Montenegro
Melika Abikenari
Tashiana St Aude
Tinglan Huang
Cycle 12 2020/21
Clare Hu
Elaine Shen
Elizabeth Tolson
Emily Small
Francisco (Echo) Eraso
Jeanne F. Jalandoni
Jessica Elena Aquino
Ryan Scails
Cycle 11 2019/20
Anthony Shimek
Aomi Kikuchi
Cong-Tam Nguyen
Marta Nowak
Melissa Joseph
Rowan Renee
Yidan Zeng
Zuhoor Al Sayegh
Cycle 10 2018/19
Dance Doyle
Erin Palumbo
Familien Iglesias (Bo, Lisa, Janelle)
Noah Pica
Romina Chuls
Shihui Zhou
Tiantian Lou
Winnie van der Rijn
Cycle 09 2017/18
Chang Yuchen
Cory Siegler
Hannah Whelan
Jamie Boyle
Junyu Li
Lily Moebes
Meghan O'Sullivan
Rhonda Khalifeh
Cycle 08 2016/17
Andrew Boos
Isabella Amstrup
Martha Skou
Mia Daniels
Rebekah Bassen
Sarah Finkle
Vien Le Wood
Cycle 07 2015/16
Alex Goldberg
Collette Aliman
Fanny Gentle
Ignacia Murtagh
Jamie Israelow
Maeve Myfawnwy
Victoria Manganiello
Yunjung Kang
Cycle 06 2014/15
Aimee McLaughlin
Alayna Rasile
Anne-Marie Lavigne
Christi Johnson
Emelie Röndahl
Hannah Schultz
Iris Plaitakis
Yoshiyuki Minami
Cycle 05 2013/14
Amanda Hu
Chi Nguyen
Joey Korein
Kaelyn Garcia
Sarah Abarbanel
Yto Barrada
Cycle 04 2012/13
Eleanor Anderson
Kate Parvenski
Kelly Valletta
Kristin Morrison
Lucia Cuba
Mandy Kordal
Cycle 03 2011/12
Josefina Concha
Katie King
Melissa Dadourian
Natalie Moore
Stacie Baek
Veronica Fuentes
Cycle 02 2010/11
Annie Coggan
Candice Thompson
Julia Ramsey
Katie Minford
Stacie Baek
Whitney Crutchfield
Cycle 01 2009/10
Astrid Lewis Reedy
Denise Maroney
Jill Magi
Julia Ramsey
Tali Weinberg
Whitney Crutchfield
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