Give Back Holiday Market Dec. 15 + 16
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Saturday + Sunday, December 15 + 16 12pm – 6pm TAC Brooklyn, 505 Carroll Street, Brooklyn, NY 11215
Mark your calendars for December 15 +16, when our newly expanded Brooklyn studio will be transformed into the third annual Give Back Holiday Market, a holiday shopping experience fully dedicated to supporting artisans and the social causes we believe in.
This year a percentage of all sales will go to Refugee and Immigrant Center for Education and Legal Services (RAICES) https://www.raicestexas.org/.
We hope you will join our collective action to support local artists/designers and to make this an impactful giving season. This holiday, COME SHOP, LEARN, + GIVE BACK.
RSVP HERE: https://www.eventbrite.com/e/give-back-holiday-market-tickets-52227068568 If you can’t make it please donate to RAICES directly and SHARE to inspire others to make this an impactful GIVING season. VENDORS: 5th26
TAC OUTPOST DONORS: (100% of the proceeds of the TAC Outpost go to RAICES) 
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AIR Cycle 10 Artist Spotlight: Noah Pica
AIR Cycle 10 Artist Spotlight: Noah Pica By Christine Sloan Stoddard The following is a statement that came out of an email interview I conducted with TAC AIR Cycle 10 Artist Noah Pica. Noah’s answers have been stitched together and
AIR Cycle 10 Artist Spotlight: Noah Pica
AIR Cycle 10 Artist Spotlight: Noah Pica By Christine Sloan Stoddard The following is a statement that came out of an email interview I conducted with TAC AIR Cycle 10 Artist Noah Pica. Noah’s answers have been stitched together and
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Aurèlia Muñoz. Águila Beige (Brown Eagle). 1977. Macramé with hand-dyed sisal and jute yarn, 72 × 156 × 150″ (182.9 × 396.2 × 381 cm)Committee on Architecture and Design Funds. Digital image © 2019 The Museum of Modern Art, New
November Fiber Picks
Aurèlia Muñoz. Águila Beige (Brown Eagle). 1977. Macramé with hand-dyed sisal and jute yarn, 72 × 156 × 150″ (182.9 × 396.2 × 381 cm)Committee on Architecture and Design Funds. Digital image © 2019 The Museum of Modern Art, New
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This February 5-15, 2020, join Thread Caravan’s newest cultural craft adventure: an immersive textile experience set in the ever-inspiring cities of Jaipur and Bagru in the state of Rajasthan, in northwestern India. Guests will be hosted by Thread Caravan and
A Cultural Craft Adventure; Thread Caravan in India (sponsored post)
This February 5-15, 2020, join Thread Caravan’s newest cultural craft adventure: an immersive textile experience set in the ever-inspiring cities of Jaipur and Bagru in the state of Rajasthan, in northwestern India. Guests will be hosted by Thread Caravan and
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AIR Cycle 10 Artist Spotlight: Erin Palumbo
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Work in Progress: Sheri Shih Hui By Wendy Cohen / October 14, 2019 On September 22nd I visited Sheri Shih Hui at the Textile Art Center’s Manhattan studio, where she was wrapping up her September residency with TAC’s Work
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AIR Cycle 10 Artist Spotlight: Familien Iglesias, A Family Endeavor
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AIR Cycle 10 Artist Spotlight: In Conversation with Winnie Van der Rijn
Winnie van der Rijn is an epic story teller. Simultaneously she is cracking jokes and ever serious- if you have had the chance to talk to Winnie, you can attest, it’s fun. The conversation below has been edited for brevity
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Upon arriving in the Cambodian city of Phnom Penh for a week-long school service trip 2016, I had no idea that I was also beginning a journey into the world of traditional Cambodian textiles. My trip was mainly focused on
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Ten years at Textile Arts Center has meant 10 years of growth, community, passion, learning, making, collaborating, and empowering. We would like to express our gratitude to everyone who came to celebrate TAC’s 10 Year Reunion Exhibition by sharing some heartfelt
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My conversation with artist Romina Chuls ranged from stories of her father taking her on trips in the Andes and their traditional embroidery, to ideas around the decolonization of art museums and her time in residence at TAC. To condense
AIR Cycle 10 Artist Spotlight: Romina Chuls
My conversation with artist Romina Chuls ranged from stories of her father taking her on trips in the Andes and their traditional embroidery, to ideas around the decolonization of art museums and her time in residence at TAC. To condense